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epiphone elitist casino 2020 So, I traded a couple of partscasters for a 2 month old Casino that was professionally set up by my local tech.
He swapped the nut for brass and it came with a hard case.
I have been playing it for 2 weeks now.
I like my Wildkat and my Dot better.
Am I missing something?
I am ready to trade this for something else tomorrow.
Casino's are neat guitars, but I personally feel they are not nearly as versatile as say your 335.
When I play one, I can only think of the Beatles.
Yeah, I like the Beatles, but I hardly ever play their music.
Casino reissues made in Asia with a slight exception for the Japanese Elitist Casinos are not in the same ballpark as a vintage Casino or 330 or even a new 330 reissue.
That is what you are missing, a quality guitar.
Casino reissues made in Asia with a slight exception for the Japanese Elitist Casinos are not in the same ballpark learn more here a vintage Casino or 330 or even a new 330 reissue.
That is what source are missing, a quality guitar.
A pickup swap and perhaps a Tonepros bridge or better along with a bone nut might help get you there at least partway.
Last edited by jbucklin; 05-20-2016 at 02:47 AM.
Emily Remler and Grant Green got great sounds out of their 330's.
A Vintage Casino is a fine guitar.
You can swap out the parts on the Asian made Casino's, but IMO, it is still lipstick on a pig.
But a better pickup and bridge will be a big improvement.
I don't know what you are looking for, maybe it's just a matter of expectations?
I have played a couple of vintage ES-330s a '64 and a '66 and the recent 59 VOS.
Those were great guitars and I think they are great for jazz being a Grant Green fan I am a little biasedbut I don't own one yet?
I once tried a Casino a Korean one I think and funny enough I found it sounded closer to my Epiphone Sheraton than to the 330 I played: heavier tone, not as airy, much darker P90.
Not bad though, just a little plain and generic.
So Stringswinger might have a point: the Casino may not have enough quality for you.
Personally I wouldn't bother with trying to upgrade.
I would move on.
Dunno, I have a 330 CS snd an Asian Casino a second and it plays every bit as good as the CS.
A pup change wouldn't hurt one pickup.
For sure the 330 style isn't as versatile as a 335.
I had an Elitist Casino and miss it.
Super versatile and some unique sounds, whilst I love LC the 335 is a bit stock.
The Casino had the best rock sound I have ever extracted wether through a deluxe with a good pedal or through a cranked AC15.
Played in a funk band and it was here for all the JBs, Meters and GG stuff.
For solo guitar arrangements perfect, so clear.
For a Robben Ford clean edgy blues sound perfect Casino Deluxe and XoticRC fantastic.
I sold it with regret, I found for the jazz sound I want it was just a touch too metalic sounding for my taste at home volume as opposed to band volume.
I found the 330 does not have the metalic ring but the 59 neck too fat for my little hands and a half priced 175 tipped me over.
Generally I found it was a very clear sounding guitar that in a band situation cuts through and sounds fantastic.
There's a lot of variability in the sound from thinline hollow- and semihollow-bodies.
I had a Dot--it didn't give me the sound I wanted, but I was not well-versed in setup at the time.
My current 2 thinlines, Peerless Sunset and Gibson 135, nail it just fine.
I wonder how Grant Green got the tone he did?
This article shines a little light on it.
Just to add, I've read although I forget where originally that when Grant played through an amp with a three band EQ, he turned the mids all the way up and the bass and treble all the way down.
So Stringswinger might have a point: the Casino may not have enough quality for you.
Personally I wouldn't bother with trying to upgrade.
I would move on.
Unfortunately Little Jay and Stringswinger are probably right.
It was a great guitar but the neck was a little to skinny for me and did not sound like Grant Green's I too am a huge Grant fan.
Only the shorter necked versions will get that sound.
Emily Remler had humbuckers installed in hers.
However, the vos reissues are pretty expensive and the vintage ones are usually 5-7 grand.
I recently bought a Reverend Jetstream 390 with 3 P90s and it sounds and plays great.
Just to add, I've read although I forget where originally that when Grant played through an amp with a three band EQ, he turned the mids all the way up and the bass and treble all the way down.
Although to my ears, Green's tone sounds pretty trebly, at epiphone elitist casino 2020 as though he's got the bright switch on a twin switched on.
As some of you say, just here on.
I am trying to work a trade for a Les Paul Studio, an older one, but communications from the other end is lacking.
I don't mind performing upgrades, but as was said.
I actually went to trade in towards the Gibson 137 at my local Sam Ash, but when I got there it was pulled from the wall.
Oh this web page, now to decide what to get to take its place.
I recently bought a Reverend Jetstream 390 with 3 P90s and it sounds and plays great.
I have a 2000 year model Reverend Slingshot.
The thread interests me, because I've decided my next guitar will be a thin hollowbody with p90s.
I can't afford a Gibson es125tdc or an es 330, the Loar 302t seems like a piece of crap, so the Casino was always in the running as the budget choice.
For jazz combo, big band comping, crunchy roots rock or twangy Americana, it could be a versatile tool.
Most of the ones I've tried were well built and playable.
Research seems to reveal newer Asian models have hotter 11k-13k pups, where vintage and Korean were more around 8k-8.
Standard Casinos use custom fit covers, so swapping pups means modding.
Lollar does make pups with Casino mods, so.
Master clinician Greg Koch always has the skills to bring the best out in a guitar's personality.
For the styles you have mentioned with a small combo being pushed they work a treat.
Casino reissues made in Asia with a slight exception for the Japanese Elitist Casinos are not in the same ballpark as a vintage Casino or 330 or even a new 330 reissue.
That is what you are missing, a quality guitar.
That's been my experience too.
Had two rather nice MIK casinos - both made by Peerless.
Played so well, felt great.
Whereas, pick up an older ES-330 or casino, it usually is.
Not a small difference either.
The one Elitist casino I tried was a big step up too.
MD classic p90 pickups are 10000 winds of 42 click at this page />Craigslist is virtually unusable down here in South Florida.
I tried trading instead of selling, but all of a sudden other people's guitars priced similar that are looking also to trade seem to be MUCH more valuable.
I may try selling here as well, but this isn't a badass archtop like I usually see for sale here.
I think it may go up on Reverb.
Craigslist is virtually unusable down here in South Florida.
Curious why you say that?
I have bought 2 guitars on CL, never sold one.
Also got a road bike.
I hear a lot of epiphone elitist casino 2020 about CL, in fact I heard it from my son in Minneapolis today when I suggested he get a bike rack from CL.
Is it more of an issue of fraud?
Buying on CL isn't bad, epiphone elitist casino 2020 selling is harder down here.
Everyone wants things for nothing so they can flip them.
Not worried about personal safety, retired 29 years Special Operations, I carry a Glock EVERYWHERE.
The thread interests me, because I've decided my next guitar will be a thin hollowbody with p90s.
I can't afford a Gibson es125tdc or an visit web page 330, the Loar 302t seems like a piece of crap, so the Casino was always in the running as the budget choice.
For jazz combo, big band comping, crunchy roots rock or twangy Americana, it could be a versatile tool.
Most of the ones I've tried were well built and playable.
Research seems to reveal newer Asian models have hotter 11k-13k pups, where vintage and Korean were more around 8k-8.
Standard Casinos use custom fit covers, so swapping pups means modding.
casinos city 2020 atlantic new does make pups with Casino mods, so.
Master clinician Greg Koch always has the skills to bring the best out in a guitar's personality.
New Epi Dot in Cherry, hard case, and Seymour Duncans Jazz and JB pickups in trade.
I have some string experimenting to do.
DR Blues Pure Nickel 11's with 11 Chromes as a back up plan in case this guitar doesn't sound good with the DR Blues.
Hope it suits your needs.
Heh, that'd be me!
Honestly I've never even thought about using an augmented scale.
That's a very strange sequence of intervals.
No 2nd, no 4th, but two 3rds and two 5ths.
Maybe it needs some kind of special app or something.
Sorry this is long, but it must be.
Yes, I hear about the verse.
Following up on this, I did a quick video that shows the location of the strap buttons and my first attempt at amplification.
I have a Fishman Epiphone elitist casino 2020 Earth humbucker designed to fit in a flattop.
I have a handful of Snarks.
I never would have thought to try to call customer service or whatever -- they are so cheap to begin with!
My favorite Snark is not the HZ though I do have.
Yabbut, YouTube didn't exist when I started learning.
I actually learned a good bit by watching my father, back about 60 years ago.
I didn't actually use it for a few years after, epiphone elitist casino 2020 I think it.
I own two of the nicest jazz guitars I've ever played, and I think I can honestly say that I haven't yet met the nicest jazz guitar there is.
I probably wouldn't be able to afford it.
The 432 Hz thing might have started with this 1992 paper.
But it seems like a typical pseudoscience article with some actual science mixed in with bizarre non-scientific claims to reach unsupported.
Heh, I was thinking I might have a problem until I saw this thread.
First of all, I own no jazz amps.
Crate 40 watt something or another.
I boughtit new back in 1996.
Has two 10s, two channels, 20.
I have a few Blue Chip picks article source enjoy them, but I tried the Primetone triangle picks and like them in 1.
I do not like the grip styled ones, just the smooth ones.


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The Epiphone and Gibson companies were fierce rivals in the Thirties, constantly trying to outdo each other's designs.


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